1.请问哪个平台可以免费在线收看或高速迅雷下载剧情《O somma luce》？
电影天堂网网友：《O somma luce》免vip在线观看地址：https://www.myfaxoa.com/voddetail/301694.html
2.《O somma luce》是什么时候上映/什么时候开播的？
3.《O somma luce》都有哪些演员？
爱奇艺网友：Giorgio Passerone
4.剧情《O somma luce》有多少集？
电影吧网友：现在是全集完结
5.手机版免费在线点播《O somma luce》有哪些网站？
6.《O somma luce》每天什么时候播出？
风车动漫网友网友：《O somma luce》于2025/08/25 04:35:12正式开播，动漫之家每天19点45分抢先播放VIP剧集
7.《O somma luce》评价怎么样？
豆瓣网友：目前该片在豆瓣的评分中等较好，分数为3.0分，具体评分细节可以查看豆瓣评分
8.《O somma luce》剧情介绍？
【动漫之家】-电影网大全www.myfaxoa.com第一时间收录《O somma luce》并提供免费在线观看。O somma luce上映于2010年(剧情)，是一部法国制片作品，由Giorgio Passerone等领衔主演。影片(剧)类型为剧情片，对白语言为其它。喜欢动漫之家收集的电视剧电影在线免费看的网友们，欢迎分享给身边的朋友，顺祝您观影愉快！
以下为O somma luce剧情简介：影片讲述
转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
“The end of paradise on earth.”—Jean-Marie Straub
The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
The mise en scène of what words exactly?
The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
Is “Straubie” Greece?
This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
